About Us
About Us
THE PRINCESS DIARIES
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Michèle Stephenson
Rada Studio Co-Founder/ Director/ Producer
Michèle Stephenson
Rada Studio Co-Founder/ Director/ Producer
Filmmaker, artist, and author, Michèle Stephenson, pulls from her Haitian and Panamanian roots and experience as a social justice lawyer to think radically about storytelling and disrupt the imaginary in non-fiction spaces. She tells emotionally driven, personal narratives of resistance and healing that center the lived experiences of communities of color in the Americas and the Black diaspora. Grounded in a Black Atlantic lens, Stephenson tells stories that intentionally reimagine and provoke thought about how we engage with and dismantle the internalized impact of systemic oppression. She draws on fiction, immersive, experimental and hybrid forms of storytelling to build her worlds and narratives. In 2023, Stephenson had two films Oscar shortlisted – the feature documentary Going To Mars: The Nikki Giovanni Project, which won the Grand Jury Prize at the Sundance Film Festival and premiered on MAX, and her ESPN short, Black Girls Play: The Story of Hand Games, which won Best Short Doc at the Tribeca Festival. Her feature documentary, American Promise, was nominated for three Emmys and won the Jury Prize at Sundance. Her film, Stateless, was nominated for a Canadian Academy Award for Best Feature Documentary. Stephenson also co-directed the magical realist virtual reality trilogy series, The Changing Same, which premiered at Sundance Film Festival’s New Frontier XR Program, won the Grand Jury Prize for Best Immersive Narrative at the Tribeca Festival, and was nominated for an Emmy in the Outstanding Interactive Media Innovative category. Along with her writing partners, Joe Brewster and Hilary Beard, Stephenson won an NAACP Image Award for Excellence in a Literary Work for their book, Promises Kept. In 2024, she received the NYWIFT Nancy Malone Muse Directing Award.
Currently, Stephenson is in post-production on a feature on the Black Power movement in Canada. She is a Guggenheim Artist Fellow, and a Creative Capital Artist.
Joe Brewster
Rada Studio Co-Founder/ Director/ Producer
Karem Orrego
Associate Producer
Karem Orrego, born in Lima, Peru, is a filmmaker and multimedia artist passionate about elevating minimized voices with thought-provoking and experiential film projects. She co-directed SHATTERING THE PICTURES IN OUR HEADS, an award-winning immersive film installation showcased at the Utah Museum of Contemporary Art in 2022. Karem graduated in 2016 with a BA in Film & Media Arts from the University of Utah, where she was recognized with an Outstanding Senior Award. Since 2014, she has overseen the Filmmaking Mentorship Program for Edge of Discovery Co-Creation Studios, collaborating on over 40 short documentaries with the Shoshone-Paiute Tribes. At the Utah Film Center, Karem developed a VR media literacy series focusing on refugee media representation, reaching over 2,000 K-12 students and educators. Her recent project challenges stereotypes of Indigenous peoples through collaboration with the Sho-Pai Tribes. SHATTERING blends traditional and 360-degree video formats, celebrating voices of Indigenous activists across the Mountain West, and earning acclaim with the Best Diversity, Equity & Inclusion Award at the Anthem Awards. Karem continues to explore new cinematic languages that deconstruct the legacy of colonialism that has shaped her birth country. She is also a 2023-2024 Baldwin for the Arts fellow and joined the 2022 HessenLab artist cohort at the B3 Biennial of the Moving Image in Frankfurt, Germany.
Karem Orrego
Associate Producer
Karem Orrego, born in Lima, Peru, is a filmmaker and multimedia artist passionate about elevating minimized voices with thought-provoking and experiential film projects. She co-directed SHATTERING THE PICTURES IN OUR HEADS, an award-winning immersive film installation showcased at the Utah Museum of Contemporary Art in 2022. Karem graduated in 2016 with a BA in Film & Media Arts from the University of Utah, where she was recognized with an Outstanding Senior Award. Since 2014, she has overseen the Filmmaking Mentorship Program for Edge of Discovery Co-Creation Studios, collaborating on over 40 short documentaries with the Shoshone-Paiute Tribes. At the Utah Film Center, Karem developed a VR media literacy series focusing on refugee media representation, reaching over 2,000 K-12 students and educators. Her recent project challenges stereotypes of Indigenous peoples through collaboration with the Sho-Pai Tribes. SHATTERING blends traditional and 360-degree video formats, celebrating voices of Indigenous activists across the Mountain West, and earning acclaim with the Best Diversity, Equity & Inclusion Award at the Anthem Awards. Karem continues to explore new cinematic languages that deconstruct the legacy of colonialism that has shaped her birth country. She is also a 2023-2024 Baldwin for the Arts fellow and joined the 2022 HessenLab artist cohort at the B3 Biennial of the Moving Image in Frankfurt, Germany.
Nan Collymore
Development Consultant
Nan Collymore is a seasoned Arts Development Consultant working in the nonprofit and cultural sectors. She holds a Master’s degree in Gender, Culture and Modernity from Goldsmiths College, University of London. Nan’s work is characterized by strategic acumen and a commitment to authentic systemic transformation. She guides organizations through stages of growth and is known for instilling practices that are long-term and sustainable. With a collaborative, practical, and hands-on approach, her work is underpinned by a comprehensive understanding of the arts and culture sectors. Nan has a proven track record of successfully securing funding and building sustainable development strategies for various arts organizations. Her expertise lies in strategic planning, grant writing and donor cultivation. She is passionate about helping arts organizations articulate their mission, connect with their audience, and achieve their financial goals. Nan has served as a consultant for emerging arts organizations, providing guidance on development strategies, board development, and capacity building.
She is a member of film curatorial collective, The Black Aesthetic and an artist whose work in video, collage and publishing is an attempt at understanding the relationship between body and land.